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Rebel Muzik From Tiny Trinidad To The Big Apple

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Rebel Muzik is a well-known DJ and music producer Rebel Muzik was always a passionate person who loves to create music. His ultimate harmonic journey started in 2012 where he mostly played as a DJ in the Caribbean scene, worked with many renowned Caribbean artists, and then transitioned to releasing pop/EDM and released 6 tracks within a year.

 

He always wanted to be his own boss and decided to take actions that brought him results. Music was able to fulfill his dreams of travelling, he can now venture to different countries and cities and witness the beauty of nature. Still, when pandemic struck the world all his DJ shows, tours were put on a halt and Rebel decided to become a music producer as he could no longer bear the empty studio.

 

Birth Of Rebel Muzik

The Dj name that he uses is Soca Rebel/ rebel one, so the first part came from it and during a discussion, the real inspiration came from a Marley Bob T-shirt which he was wearing. The slogan on the t-shirt read, ‘Rebel Music’, that led to his music producer name ‘Rebel Muzik ’. 

 

He has also been featured in various magazines like NBC, Yahoo, Fox, and CBS. Success is hard to come by easily and as such, Rebel tackled those hurdles and chased his reckoning with full potential. His music is comparable to the new age upbeat EDM songs that take you into deep thoughts while having you sway to their catchy beats.

 

New Releases And Intro

His  track ‘Upside Down’ will make your mind and body go upside down with the great music in pragmatic sense. This song released on 22nd January 2021 and took the music world by storm. The song features Tyler Sjostrom who has been a frequent on Tyler’s tracks. This amalgam surely comes up with great mixes every time. This song is the ultimate mix of pop melodies, Caribbean rhythm, and of course, the mind-boggling EDM beats!

 

Being a music producer, Rebel is on a journey to fill the world with the goodness of music and beats and let people feel the energy that surges through a well-produced music piece. The production label Rebel Muzik was founded by Rebel out of New York and is on a roll to release great songs one by one.

 

“Dj/Producers based in NYC with Caribbean roots. Originally from the twin island of Trinidad & Tobago to please listeners across the globe. We are a team of diverse producers who can hit almost any genre, music is our life, passion, and religion. We come from a background of SOCA and DANCEHALL and had the opportunity to work with some of the top artists in that industry (Lyrikal, Konshens, Mr. Killa, Humble The Poet, Teddy Rhymez, Imani Ray and Wildfire & more) We recently started to blend those influences with mainstream music and super excited to share it with the world! 

REBEL MUZIK, remember the name. – Source (Rebel Muzik Studios

 

To know more about Rebel Muzik and its history visit their website.

Sahil Sachdeva is the CEO of Level Up Holdings, a Personal Branding agency. He creates elite personal brands through social media growth and top tier press features.

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Thrills and Ambiguities: Deciphering ‘Civil War’

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In the whirlwind of Alex Garland’s latest creation, “Civil War,” the storyline may seem like a tapestry woven with threads of improbability. The notion of California and Texas uniting in secession appears far-fetched, yet Garland’s intent isn’t to craft a politically precise narrative. Instead, he embarks on a journey of tension and visceral thrills, leaving the viewer ensnared in a dystopian America ravaged by conflict.

While Garland’s repertoire boasts cerebral sci-fi wonders like “Ex Machina” and “Annihilation,” “Civil War” takes a sharp detour into the realm of danger and uncertainty. The film shadows a group of intrepid journalists, their vehicle emblazoned with the stark declaration of “PRESS,” as they navigate the treacherous roads from New York to a besieged Washington, D.C. Their mission? To document the turmoil engulfing the nation, where the White House stands besieged by enigmatic forces.

Arriving against a backdrop of amplified political discord in contemporary America, “Civil War” stands as a provocative testament to societal unease. Yet, its narrative steers clear of delving into the intricate backstories or deep-seated political commentary, opting instead for a series of episodic encounters across a landscape marred by devastation. The visual tableau, from desolate highways to haunting vistas of abandoned cars and lifeless bodies, sets the stage for an unnerving odyssey.

Amidst this turmoil, the film hints at nuanced relationships and unsettling encounters, but it refrains from fully exploring the depths of its characters or the ramifications of its premise. The mentorship dynamics between seasoned photojournalists and their inexperienced counterparts flicker briefly while chilling encounters with faceless soldiers punctuate the journey. Yet, for all its potential, “Civil War” falls short of delving into the intricacies of its dystopian America.

Unlike Garland’s previous works, which often dabble in philosophical musings or existential quandaries, “Civil War” leans heavily into the realm of horror. It thrusts viewers into a nightmarish landscape where the familiar contours of American society are distorted by conflict and chaos. As the film premieres in theaters, it invites audiences to grapple with its unspoken questions and unsettling imagery, marking a departure from Garland’s customary style.

In the end, “Civil War” transcends the confines of conventional political commentary, morphing into a haunting meditation on societal disintegration and human frailty. Its narrative may remain muddled in its political underpinnings, but its power lies in its ability to evoke a visceral response and linger in the recesses of the mind long after the credits roll.

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Aerosmith Announces Rescheduled ‘Peace Out’ Tour Dates

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After enduring a nearly seven-month hiatus, Aerosmith is poised to reclaim the stage with the resumption of their highly anticipated “Peace Out” farewell tour this autumn.

In an Instagram post shared on the band’s official page this Wednesday, the rock legends expressed their exuberance in revealing the rescheduled itinerary for the tour. The announcement marks a significant milestone for both the band and their legion of devoted fans eagerly awaiting their return.

Commencing on September 20 in Pittsburgh, PA, the tour is slated to traverse the country until February 26 of the following year, culminating in a momentous finale in Buffalo, NY. Adding to the excitement, The Black Crowes are set to reprise their role as special guests throughout the tour, promising electrifying performances and unforgettable memories for concertgoers.

The journey to this moment has been marked by challenges, particularly stemming from an unforeseen setback in September 2023. It was during this time that Aerosmith’s iconic frontman, Steven Tyler, encountered a vocal cord injury, prompting the band to halt their tour after just three shows. In a heartfelt statement shared on Aerosmith’s Facebook page, the severity of Tyler’s condition was revealed, including a fractured larynx, necessitating meticulous care and recovery.

Tyler expressed profound disappointment in a personal message to fans, lamenting his absence from the stage alongside his bandmates and The Black Crowes. Nevertheless, he reassured fans of their imminent return, promising to reignite the rock ‘n’ roll fervor as soon as circumstances allowed.

Now, with the unveiling of the rescheduled 40-date North American tour, Aerosmith enthusiasts can anticipate a celebration of the band’s unparalleled 50-year legacy, coupled with a poignant farewell to the touring circuit. The tour represents not only a testament to Aerosmith’s enduring influence but also a poignant reflection on the profound impact they’ve had on generations of music lovers worldwide.

For fans who had previously secured tickets, there’s good news: all previously purchased tickets will be honored for the rescheduled shows, ensuring that loyal supporters will have their chance to witness Aerosmith’s historic farewell tour firsthand. Tickets for the rescheduled dates are set to go on sale this Friday at 10 a.m. in the respective time zones, offering enthusiasts a fresh opportunity to secure their place in rock ‘n’ roll history.

As the countdown begins to Aerosmith’s triumphant return to the stage, anticipation mounts, setting the stage for an unforgettable journey through decades of timeless music and indelible memories. With each chord struck and each lyric is sung, Aerosmith’s farewell tour promises to be a fitting tribute to a band that has left an indelible mark on the annals of rock music.

 

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Lady Gaga’s Harley Quinn Offers Joaquin Phoenix’s Joker Comfort in ‘Folie à Deux’ Trailer, Easing His Sense of Isolation

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Lady Gaga’s eagerly awaited debut as Harley Quinn alongside Joaquin Phoenix’s return as his Oscar-winning Joker is showcased in the first trailer for “Joker: Folie à Deux,” which dropped on Tuesday.

The teaser kicks off with Phoenix’s Joker, Arthur Fleck, restrained and expressionless, being escorted through what appears to be a facility. In a poignant moment, his eyes meet those of Gaga’s Quinn, who stands in what looks like a choir room.

“I’m nobody,” Quinn later utters, mimicking a gun to her head as she speaks to Fleck. “I haven’t accomplished anything like you have.”

The trailer then unfurls with glimpses of the duo, infamously entangled in love, strolling through the streets, dodging explosions, fleeing from mobs, and exchanging kisses through Fleck’s jail cell bars. All of this is set against a haunting rendition of the classic tune “What the World Needs Now is Love.”

“I’ll tell you what’s changed,” Fleck asserts at one point. “I’m not alone anymore.”

In the lore of DC comics, the relationship between Joker and Harley Quinn has often been depicted as one of twisted love, with Quinn initially introduced as the villain’s therapist at Arkham Asylum.

While director Todd Phillips’ treatment of these iconic characters remains shrouded in secrecy, his previous portrayal of the Joker in the critically acclaimed 2019 film suggests that “Folie” will offer a fresh interpretation of the established comic narrative.

In addition to Phoenix and Gaga, “Folie” also features performances from Brendan Gleeson, Catherine Keener, and Zazie Beetz, who portrays Fleck’s neighbor Sophie.

Following the immense success of “Joker,” which earned Phoenix an Academy Award for Best Actor, “Joker: Folie à Deux” is scheduled to premiere in theaters on October 4th.

 

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NASA Selects Three Companies to Develop Next-Generation Autonomous Moon Rovers

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To establish a long-term presence on the moon, NASA on Wednesday granted contracts to three private space businesses for the development of autonomous rovers. These rovers would be used to transfer people and goods around the moon’s surface.

More lunar surface exploration might be possible with the rovers, especially as NASA looks to investigate the lunar South Pole, where ice is found in craters that are constantly shaded. Similar to how NASA’s rovers have been circling Mars for years, the rovers would continue to function even in the absence of astronauts on the moon.

The distinction with these moon rovers, though, is that the businesses will manage the vehicles in collaboration with NASA, allowing the businesses to explore business prospects as NASA works to support the establishment of a lunar economy.

The winning businesses include Lunar Outpost, located outside of Denver, Venturi Astrolab, a start-up situated outside of Los Angeles, and Houston-based Intuitive Machines, which recently made history by being the first commercial enterprise to launch a spacecraft to the lunar surface. The contracts together have a maximum potential value of $4.6 billion for the development of lunar terrain vehicles over a 15-year period, according to NASA.

on a briefing, Vanessa Wyche, the director of the Johnson Space Center near Houston, stated, “As astronauts explore the south pole region of the moon during Artemis missions, they’ll be able to go farther and conduct more science than ever before.” Imagine a cross between an unmanned mobile science platform and an Apollo-style lunar rover operated by our astronauts. The crew will be able to go much further from their landing spot thanks to this. Furthermore, that LTV will offer autonomous scientific and technology operations throughout unmanned operations.

The grants are another step toward NASA’s Artemis program, which aims to establish a lunar outpost in addition to bringing humans back to the moon.

Tens of billions of dollars have been spent by the space agency on the Artemis program over the years, which includes the building of the Orion crew capsule and the Space Launch System rocket, which will transport humans to the moon’s vicinity. Additionally, Elon Musk’s SpaceX and Jeff Bezos’s Blue Origin have been awarded contracts by NASA to build two lunar landers that will transport men to and from the surface.

The space agency is investing in new technologies and spacesuits for mining, moon homes, and energy production. One such program from Blue Origin aims to convert regolith, or lunar dirt, into solar cells.

Apart from creating technology that would enable humans to live off the land while on the moon, NASA is searching for methods to increase the amount of lunar surface that they can investigate. Astronauts “will drive to explore and sample more of the lunar surface using the LTV than they could on foot,” NASA stated in a statement last year.

NASA’s LTV program manager, Steve Munday, stated in an interview from the previous year that “one to two kilometers is about as far as you want to walk in a suit on the lunar surface, as we found on Apollo.” Thus, something else is required. For the sake of science and transportation, that range must be expanded.

However, given the duration of astronauts’ surface stays would only be up to 30 days, the vehicle must function even in the absence of astronauts. “Cargo and scientific payloads between crewed landing sites, enabling additional science returns, resource prospecting, and lunar exploration,” the agency stated in a statement about the LTVs’ planned use between crewed missions.

Before the third human landing under Artemis, ASA promised to pay for one of the suppliers to send its rover to the moon. By the end of the decade, that landing is scheduled.

In order to deliver its vehicle, the Flexible Logistics and Exploration Rover (FLEX), SpaceX has awarded a contract to Venturi Astrolab, which is collaborating with Axiom Space and Odyssey Space Research. According to founder and CEO Jaret Matthews, the company intends to make its maiden lunar landing in 2026.

“We’re at a point in history now where you can actually start to contemplate industrial-scale activity happening at the lunar south pole,” Matthews stated during the briefing, referring to SpaceX’s Starship rocket and several other new spacecraft being designed to land on the moon. Additionally, we’re working to create a platform to back it.

Following the landing of its Odysseus spacecraft earlier this year, Intuitive Machines—which is cooperating with AVL, Boeing, Michelin, and Northrop Grumman—sees this contract award as an additional step toward growing its work on the moon. CEO Steve Altemus stated, “It’s just an exciting next step to put the first critical piece of infrastructure on the surface” of the moon.

CEO Justin Cyrus stated that Lunar Outpost is building a fleet of rovers and plans to launch its first one to the moon later this year aboard an Intuitive Machines spacecraft. The company is collaborating with MDA Space, Goodyear, General Motors, and Lockheed Martin.

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Unlocking Innovation: Amazon’s AI Rewarding Startups!

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In a groundbreaking move to foster innovation and empower startups, tech giant Amazon has unveiled a pioneering initiative aimed at rewarding startups that leverage its AI models. This initiative marks a significant milestone in the tech industry, signaling Amazon’s commitment to supporting entrepreneurial endeavors and driving technological advancement.

What Does This Mean for Startups?

For startups, this presents a remarkable opportunity to gain access to state-of-the-art AI technology developed by Amazon. By integrating these AI models into their products and services, startups can enhance efficiency, improve customer experiences, and unlock new avenues for growth and success.

How Can Startups Benefit?

Startups selected for the program will receive access to Amazon’s cutting-edge AI models, along with technical support and guidance to integrate these models into their existing platforms or develop new innovative solutions. Additionally, participating startups may gain exposure and recognition within the tech community, potentially attracting investors and partners.

Why This Matters?

This initiative underscores the crucial role that AI technology plays in driving innovation and transforming industries. By democratizing access to advanced AI capabilities, Amazon is leveling the playing field for startups, allowing them to compete with established players on a more equal footing.

How to Get Involved?

Startups interested in participating in Amazon’s AI rewards program can learn more by visiting the official website or reaching out to Amazon’s startup support team. Don’t miss this opportunity to unlock the full potential of your startup with Amazon’s AI technology!

 

As the tech landscape continues to evolve, initiatives like this demonstrate the power of collaboration and innovation in shaping the future of technology and business. With Amazon leading the way, startups have a unique chance to leverage AI to drive growth, disrupt industries, and make a lasting impact on the world.

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Crew Soars at Box Office with ₹9.25 Crore on Day 1; Chennai Leads with 58.25% Occupancy

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Day 1 Box Office Collection: On March 29, the Bollywood film “Crew,” starring Tabu, Kareena Kapoor Khan, and Kriti Sanon, debuted in theaters. The movie took in ₹9.25 crore on its first day of sales. According to the study, on Friday, Crew observed an occupancy of 26.34 percent. Chennai had the greatest occupancy rate, at 58.25 percent, followed by Bengaluru (46%), Hyderabad (32%), and Mumbai (31.5%).

Regarding its global receipts, producer Ekta Kapoor announced on Instagram that the film had brought in ₹20 crore. She wrote: “I am grateful to India. Our director and my ladies demonstrated to the world how it’s done! Global enlightenment!.” 

The “highest-ever opening for a three-female lead film worldwide” has been achieved, according to the film’s makers, setting a record.

The “Crew” tells the tale of three air hostesses whose airline, Kohinoor, is ready to file for bankruptcy. Their future appears bleak until they discover a deceased passenger smuggling gold biscuits. In important roles in the heist comedy are Diljit Dosanjh and Kapil Sharma. The movie was originally scheduled for release on March 22, but the producers postponed it until March 29.

Taran Adarsh, a film trade expert, referred to the movie as “Rocking” and an incredible thrill experience. “Crew is an absolute joyride: Fresh concept, hilarious episodes, witty one-liners, and super soundtrack,” he said on X. In this expertly produced show, Tabu, Kriti Sanon, and Kareena Kapoor Khan are hilarious.”

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The three stunning beauties in a breezy comedy thriller winning hearts.

Reviews by the crew’s audience:

“#KareenaKapoorKhan is the certified 4th KHAN of Bollywood!”. I’ll wait if you can name any actress or even an actor in his mid-40s who attracts this kind of crowd. This outcome and no promotions!”

Whether it’s a theatrical or over-the-top release, Kareena has smashed every record!”

Don’t Find Logic and You Won’t Be disappointed !! All 3 Divas Look Fab. Kriti Sanon’s Dressing Sense Is Awesome. Was Nice To See Tabu After Long. Kareena Kapoor Still Holds The Oomph that She has been known for Since Her Early Career. Rajesh Sharma Sir & Kulbhushan Kharbanda Sir are All Praises and No Mistakes.Diljit ,Saswata and Kapil Sharma had limited on screen presence to prove their mettle but whatever they got they delivered with conviction. Awesome Songs. One Time Must Watch.”

“Crew is a film that deserves to be an enormous hit. Amazing narrative, outstanding performance, superb direction, and incredible songs. @kritisanon demonstrates her adaptability once more. As always, #KareenaKapoorKhan and Tabu are outstanding.”

 

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Tiffany Rothman’s Captivating Performance in ‘Dawn of Skates’

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In the vibrant realm of cinema, Tiffany Rothman stands out as a beacon of talent, having captured audiences’ hearts with her performance in “Dawn of Skates.” Directed by the visionary Mitch Truong and released last year, the film delves into the poignant narrative of a single mother and her daughter, navigating life’s complexities amidst economic hardships.

 

Rothman’s portrayal in “Dawn of Skates” is a testament to her ability to embody the essence of maternal love and determination. Portraying a single mother grappling with unpaid child support and financial instability, Rothman’s character epitomizes strength in adversity. Through her nuanced performance, Rothman sheds light on the challenges faced by families across the nation, bringing to the forefront the harsh realities of economic disparity.

 

At the heart of “Dawn of Skates” lies an exploration of deferred dreams and resilience. Rothman’s character finds solace in her daughter’s unwavering ambition, despite the limitations of their circumstances. As her daughter’s passion for figure skating evolves into a pursuit of roller skating, reflective of their economic reality, Rothman’s portrayal captures the bittersweet journey of a mother witnessing her daughter’s pursuit of happiness amidst financial constraints.

Drawing from real-world statistics and contemporary societal issues, “Dawn of Skates” serves as a poignant reflection of the struggles faced by single parents across America. Rothman’s performance resonates with authenticity, offering a poignant portrayal of the challenges and triumphs inherent in the pursuit of dreams against all odds.

 

Beyond her role in “Dawn of Skates,” Rothman’s illustrious career speaks volumes of her exceptional talent and versatility. With notable appearances in acclaimed productions such as “Blue Bloods,” Rothman has solidified her status as a force to be reckoned with in the world of entertainment. Her ability to inhabit characters with depth and nuance has earned her a dedicated following of fans and admirers.

 

As audiences continue to discover the beauty of “Dawn of Skates,” one thing remains certain – Tiffany Rothman’s star continues to ascend. With each role she undertakes, Rothman captivates audiences with her magnetic presence and unwavering commitment to her craft. As she navigates the dynamic landscape of cinema, Rothman’s talent and passion promise to leave an indelible mark on the industry for years to come.

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Zendaya’s Farewell to Sandworms Marks the Arrival of Skorts

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Zendaya portrays tennis player Tashi Duncan in the film “Challengers.” Her attire plays a major role in who she is; Jonathan Anderson, the character’s costume designer, dresses her in opulent, athletic clothing sponsored by Adidas.

In the teaser, one of Tashi’s suitors tells another, “She’ll have a fashion line.” “She’s going to make her family all multimillionaires.”

For the real Zendaya, fashion is a means of enhancing one’s image and generating revenue. She is now regarded as a key figure in the contemporary film press tour. Every appearance, whether a news conference in Seoul, a photo call in Mexico City, or a premiere in New York, can generate thousands of stories and social media posts. Coverage of these appearances can be frenzied.

When performers embrace theme clothing, the fever rises. The “Barbie” actors wore an overwhelming amount of pink, risqué outfits that seemed to come from old toy boxes. The “Madame Web” stars decked themselves out in gaudy net dresses. To promote her sensual thriller “Love Lies Bleeding,” Kristen Stewart dressed less.

However, hardly any can draw as much attention as Zendaya. Take her February London premiere of “Dune: Part Two,” where she donned a vintage Mugler robot outfit. (This press tour seems to have her futuristic desert warrior queen as its theme.) According to Women’s Wear Daily, the data analytics firm Launchmetrics estimated that Mugler’s media effect from this one moment was worth $13.3 million.

However, Zendaya hasn’t been wearing Adidas in the run-up to “Challengers,” the Luca Guadagnino movie that opens in late March, despite her dedication to cosplay. She is dressed in preppy ensembles created by Louis Vuitton, her actual sponsor, and a high-end company with a growing presence in the sports industry.

Zendaya appeared in a promotional photo on March 12 sporting a loose white pair of shorts, white shoes, and a buttery sweater with a deep V neckline. She looked like the most intimidating stepmom at the country club, right down to her long, blown-out bob. The image architect Law Roach, who serves as her stylist, gave credit for the ensemble to Bulgari and Louis Vuitton.

Then, on March 17, Zendaya went to Indian Wells, California, to watch the women’s final of the BNP Paribas Open. She wore tennis whites from Louis Vuitton once more: a pleated skort, a tank top, and a pullover. She accessorized with her boyfriend, actor Tom Holland, and white sneakers, a little monogram purse with an attached bright yellow coin purse that resembled a tennis ball. They took their seats and sang along to Whitney Houston.

Zendaya, who trained under renowned coach Brad Gilbert for “Challengers,” then posed for pictures with match winner and top-ranked women’s player Iga Swiatek.

After the harshness of her “Dune” chapter, she appeared more relaxed in her Sunday “tennis core.” She seemed unearthly for reasons other than only her cybernetic appearance. (That Givenchy skirt set from the old circuit board was worn after that Mugler fembot outfit.) She also had the gravitas of a sci-fi empress at a state supper thanks to her immaculate white gowns from Stéphane Rolland in New York and Alaïa in Paris.

She is now returning to Earth. or the tennis court, at any rate. “Meeting Zendaya was crazy, but on the other hand, she’s a human like all of us,” Ms. Swiatek said following her victory.

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Dries Van Noten’s Retirement: A Farewell to Fashion’s Iconic Designer

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Dries Van Noten shocked the fashion industry when he revealed he was leaving his position as creative director of the company that carries his name. His final men’s show will be in the fall of 2024 and will take place in Paris in June.

In a letter to journalists, Mr. Van Noten, 65, stated, “My dream was to have a voice in fashion.” “That wish was fulfilled. I want to focus on everything I never had time to do now.

Mr. Van Noten was one of the founding members of the Antwerp Six, a group of Belgian designers that came to Paris in the early 1980s and revolutionized the fashion industry. “I feel it’s time to leave room for a new generation of talents to bring their vision to the brand,” he said in his statement, adding that he had been “preparing for this moment for a while.”

Mr. Van Noten’s decision is noteworthy as a unique instance of a designer giving up control of their initiative while still at the pinnacle of their abilities, in a field where founders frequently hold onto their jobs far into their 80s and hardly consider succession planning. His final women’s presentation, which took place in Paris in late February, was heartfelt, giving an ode to dressing creatively and choosing style over fashion.

However, his approach to business has also been characterized by the thoughtfulness, inventiveness, grace, and attention to detail that characterized his clothing and served as the impetus for a 2014 solo exhibition at the Musée des Arts Décoratifs in Paris as well as a 2017 documentary about his work.

Since 2018, when he sold the bulk of his company to Puig, a fashion and fragrance company, Mr. Van Noten has been taking measures to secure the future of his 1986-founded brand. He has also committed to continue serving as the company’s chief creative officer and chairman of the board. For a designer who took great satisfaction in his independence, it was a significant move. 

He questioned, “Do we have enough heritage?” “Is there a good enough reason for the business to continue after I leave?”

Through its cooperation with Puig, the firm was able to grow its workforce and enter new markets, such as scent and cosmetics. However, Mr. Van Noten can still become frustrated with the industry’s pace even after giving up some control over his company.

“You never can take six months off, or even two months off, after a career of all these years,” he remarked, saying that the longest vacation he had ever taken had been two weeks. “I believe that every designer’s dream is to be able to skip a season at some point.”

He and several designers co-wrote an open letter in 2020, arguing that the seasonal purchasing calendar needed to be fixed for firms to find a more sustainable production rhythm and prevent the vicious loop of deep discounts.

However, he was also aware that a designer may benefit psychologically from the unachievable speed of fashion. When a collection didn’t meet the expectations of reviewers or customers, there was no time to pout. He said to The Times, “You have to move on.” “You must set it aside. You must begin anew. And that is just great, in my opinion. It’s quite addicting, and I believe that’s what keeps me going too.

In his letter, Mr. Van Noten, who was named an Officier de L’Ordre des Arts et des Lettres by France, the recipient of the Council of Fashion Designers of America’s International Designer of the Year Award, and a baron by the King of Belgium, stated that a new designer would be revealed in “due time.” He said he would still be part of the brand, but he did not say what his role would be.

 

He is an avid gardener; in fact, the vibrantly colored textiles and styles that became his trademark were inspired by the flowers at his home outside of Antwerp. He frequently goes on garden excursions with Ann Demeulemeester, another Antwerp Six member who withdrew from her line.

 

Whatever path he decides to take, one thing is for sure: Mr. Van Noten is changing the way departure can appear, just as he and his colleagues once changed the industry’s norms.

 

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Unveiling the Future: Apple and Google in Talks to Introduce Generative AI to iPhones

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Apple is in conversations with Google about employing the search giant’s generative artificial intelligence model called Gemini for its next iPhone, as the corporation races to embrace a technology that has upended the tech sector.

According to three sources with knowledge of the conversations, the talks are preliminary and the precise parameters of a possible deal have not yet been established. Apple has also held negotiations with other A.I. companies, one of these people said, as it aims to tap into the potential of a huge language model capable of processing vast quantities of data and generating text on its own.

Apple CEO Tim Cook has assured investors that the business will launch new generative A.I. features this year. Google and Samsung, the company’s rivals in the smartphone market, have already included Gemini in their most recent models to trim films and condense audio recordings.

Both Google and Apple choose not to comment. Bloomberg previously covered their discussions.

One of the oldest collaborations in technology would be extended if Apple and Google struck cooperation on generative AI. Google has been instrumental in the success of the iPhone ever since Apple unveiled the gadget in 2007. Initially, it offered Google Maps for navigation. Later, it negotiated a lucrative partnership whereby Google pays Apple more than $18 billion annually to become the default search engine for the iPhone’s Safari browser.

Google’s talks to bring generative AI capabilities to the iPhone would be the most recent instance of the company stepping in to close a gap in Apple’s offerings. According to two people familiar with its development, Apple has been lagging in its efforts to create its big language model, the technology underlying chatbots like ChatGPT and Gemini.

Apple has paid a price for holding off on delivering an AI product. This year, Microsoft overtook it as the most valuable public business in the world, breaking its ten-year reign. Microsoft has been actively pursuing artificial intelligence. The technology’s ability to upend industries and generate trillions of dollars in new revenue has been hailed.

Apple has the potential to be a major player in the A.I. space despite its delays. With over two billion devices in use, the firm is a desirable partner for Google and other companies. In the future, when artificial intelligence (AI) services are used to manage people’s calendars or health data, its reputation for safeguarding customers’ private information may prove advantageous.

An agreement might see the Gemini model available on iPhones all across the world, providing Google with access to a vast user base and further popularizing generative artificial intelligence. A deal with Apple is enticing as, almost suddenly, Google might surpass its main competitor, OpenAI, which creates ChatGPT, in the number of users utilizing its artificial intelligence.

After multiple failures in its AI goals, Apple’s decision to choose Google as a supplier would be a significant vote of confidence in the search engine giant. Bard, the company’s first artificial intelligence chatbot, had mixed reviews upon launch in March of last year and didn’t gain as much traction as ChatGPT.

Google unveiled Gemini, a brand-new chatbot, in February. Last month, users discovered that the chatbot’s image generator was producing racially inaccurate drawings of historical individuals and was frequently refusing to produce photos of white people, which prompted charges of bias. Google promised to address the issue and disabled the ability to take photos of people.

Analyst Toni Sacconaghi of Bernstein Research referred to the agreement between Apple and Google as a “win-win” in a note on Tuesday, citing the latter’s work on Gemini as validation and Apple receiving generative AI for iPhones. Additionally, he stated that Apple could benefit from artificial intelligence on iPhones without having to own an AI model; instead, it could accept a commission from Google, which charges $19.99 a month for its Gemini Advanced app.

Businesses haven’t yet profited from generative AI. Large language model operations on the cloud come at astronomical costs, and businesses and consumers are just now beginning to foot the bill for this cutting-edge technology. However, they believe that as artificial intelligence (AI) systems get more powerful and the cost of creating data centers decreases, profits will rise.

The recent agreement between Apple and Google may come under examination by US authorities. A case brought by the Justice Department against Google for violating competition law by paying Apple to be the iPhone’s default search engine and other services is nearing its conclusion. The non-jury trial is being presided over by Judge Amit P. Mehta of the U.S. District Court for the District of Columbia, and a decision is anticipated this year.

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