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Squid Game Returns: Inside Netflix’s Darker, Terrifyingly Relevant Season 2

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‘Squid Game’ Returns: Inside Netflix’s Darker, Terrifyingly Relevant Season 2

 

When Squid Game first aired on Netflix, its story of desperate, debt-ridden people fighting for survival in a deadly, childlike game of competition became an instant cultural phenomenon. With its disturbing imagery, clever social commentary, and high-stakes tension, it quickly became the most popular series on Netflix. In season two, the show returns with darker themes and a heightened sense of urgency, blending elements of personal struggles with worldwide political divides. Creator Hwang Dong-hyuk, who drew from personal experiences and global issues, opens up about what fans can expect from this new season that promises to be as socially poignant as it is thrilling.

The Divide: Red vs. Blue, A Global Metaphor

In Squid Game season two, Hwang continues to explore themes of social division. “I wanted to highlight the theme of taking sides,” he explains, standing in the giant dormitory set where players gather. A new addition to this set features a giant blue “O” and red “X” that represent two opposing factions of players. This visual cue mirrors the ongoing global divide, symbolizing two groups marked by stark ideological differences.

This division is not just a symbolic aesthetic but plays a critical role in the structure of season two. Unlike season one, where players could vote to end the game, this time the vote to continue is mandatory after every round. Players are separated into two camps: one side believes they are the ones who deserve the money and victory, while the other side insists that the game must end to prevent more suffering. The split echoes the divide in many parts of the world, from generational conflict in Korea to the bitter polarization in places like the United States. This is Hwang’s way of asking a fundamental question: “Is the majority always right?”

“We live in a democratic society, and everyone has their own right to vote, but the dominant side rules,” Hwang explains. “So I wanted to pose the question: Is the majority always right?” This question is particularly relevant in today’s political landscape, where division is rampant and multiple perspectives often lead to bitter conflict rather than constructive dialogue. The underlying tension between individual and collective rights runs through the entire series, offering viewers a sobering critique of societal polarization.

A Dystopian Echo of Real-World Fissures

The relevance of Squid Game season two to contemporary issues is undeniable. Hwang is keenly aware that the show will be released at a time when the world is facing unprecedented political and social divisions. The series is dropping around the same time as the U.S. presidential election, which Hwang calls “the ultimate O-X event.” This timing is not coincidental, as the show seeks to draw parallels between the brutal battles on-screen and the real-world conflicts driven by issues like class, race, and wealth inequality.

“There’s no room for debate, only hostility,” Hwang says, pointing out how societies, including Korea, are divided along generational lines, with younger generations clashing with older ones over the direction of the nation. Squid Game is not just a survival drama; it’s a reflection of the increasingly dangerous and polarized nature of contemporary political and social discourse. The games in the show serve as a metaphor for real-world battles for power, resources, and survival, amplifying the stakes for the players.

Gi-hun’s Transformation: From Survivor to Savior

Season two picks up right where season one left off, with Gi-hun, the sole survivor of the first deadly game, preparing to reunite with his estranged daughter in America. However, instead of boarding the plane, he has a change of heart. Unable to live with the knowledge that the sadistic competition continues, Gi-hun’s journey becomes one of conscience and redemption. Hwang draws a clear parallel to the famous red and blue pill choice in The Matrix, where Gi-hun, like Neo, chooses awareness over ignorance, embarking on a mission to stop the games.

Lee Jung-jae, who plays Gi-hun, notes that the character’s evolution in season two was carefully considered. Gi-hun’s shift from an idealistic underachiever to a grim, mission-driven man is explored in depth. “One word that was top of mind for me while shooting season two was ‘conscience,’” Lee says. He continues, “It’s not something that’s absolute, but to call ourselves human, we have to be true to our conscience, and when we are not, we have to be able to feel shame.” This moral struggle will be central to Gi-hun’s character arc in season two, as he confronts his past choices and their consequences.

Returning Faces and New Additions

While Gi-hun is the only returning protagonist from season one, several key figures make a return. Front Man (Lee Byung-hun), the enigmatic leader of the game, is back, along with Jun-ho (Wi Ha-joon), the police detective who uncovered the Front Man’s true identity. Gong Yoo, who played the mysterious recruiter in season one, will also return in season two, though his role is expected to be expanded as the show delves deeper into the shadowy world behind the games.

However, most of the new season’s ensemble is comprised of fresh faces. One standout is Jo Yu-ri, a former K-pop star who plays a young woman caught in the game alongside her ex-boyfriend. This storyline reflects Hwang’s interest in exploring the younger generation’s economic struggles, especially after the cryptocurrency boom and the resulting debt crisis that affected many young people during the pandemic. The show will also introduce new players with personal backstories that intersect in unexpected ways, creating more intrigue and tension for both the characters and the audience.

Global Success and the Pressure to Deliver

The success of Squid Game season one was overwhelming, leading to increased expectations for season two. Netflix, which initially had modest projections for the first season, has invested significantly in the second season, offering Hwang more creative freedom and a larger budget. “In season one, we had to tweak the idea because of budget limitations,” Hwang recalls. “But this time, I was able to fully realize my creative vision.”

This higher budget allowed Hwang to create even more elaborate sets and incorporate CGI, offering an even more immersive and visually stunning experience for viewers. However, with greater resources came greater pressure. Hwang admits to having “nightmares” about the production process, fearing that the second season might not live up to the expectations set by its predecessor. Despite the anxiety, Hwang is determined to continue challenging himself creatively. “Comfort zone will kill you,” he says, referencing his personal motto, which encourages him to push boundaries and explore new territory.

The Cultural Impact of Squid Game

Squid Game has not only become a global pop culture phenomenon but has also placed Korean entertainment at the forefront of the international stage. Following in the footsteps of Parasite and BTS, the show has played a key role in the mainstreaming of Hallyu, the Korean Wave. The success of Squid Game is proof that compelling stories can come from anywhere and resonate with people worldwide.

As Hwang reflects on the massive success of the show, he acknowledges that the series has surpassed his initial expectations. Despite the immense pressure to deliver a follow-up that meets fans’ expectations, Hwang remains grounded in his belief that Squid Game’s greatest strength lies in its ability to provoke thought and spark conversations about the world we live in. The success of Squid Game has proven that good storytelling can transcend borders and language barriers, opening doors for more international projects to gain global recognition.

A Show with a Darker, Urgent Message

Season two of Squid Game promises to be even darker and more relevant than the first, pushing viewers to question the very systems that drive human behavior. The themes of survival, morality, and societal division resonate deeply in today’s fractured world, where inequality and polarization continue to shape global discourse. Hwang Dong-hyuk’s vision for the series is a reflection of his personal struggles, his observations of the world around him, and his commitment to creating a series that is both entertaining and thought-provoking. Whether Squid Game season two will surpass its predecessor or struggle under the weight of its own success remains to be seen, but one thing is certain: the game is far from over.

Sahil Sachdeva is the CEO of Level Up Holdings, a Personal Branding agency. He creates elite personal brands through social media growth and top tier press features.

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MrBeast Apologizes After Las Vegas Experience Disappoints Fans: “Not What We Hoped”

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YouTube sensation and philanthropist Jimmy Donaldson, famously known as MrBeast, has issued a heartfelt apology following an underwhelming fan experience at the “MrBeast Experience” hosted at Resorts World Las Vegas. The three-day event, promoted as an immersive and unforgettable adventure, drew backlash from attendees who felt misled and disappointed.

Known globally for his jaw-dropping stunts, charitable giveaways, and massive subscriber base — over 385 million across his platforms — MrBeast has cultivated a reputation for going above and beyond for his fans. However, this recent venture failed to meet expectations, prompting widespread complaints, demands for refunds, and social media uproar.

Promises vs. Reality

The event was advertised as a premium fan experience. Guests were enticed by the promise of exclusive games, limited edition merchandise, a MrBeast-themed food menu, and even mystery bags containing surprises — including the chance to win a $10,000 gift voucher. With some fans spending as much as $1,000 for the weekend, the anticipation was high.

Yet, for many, what followed was not the interactive and memorable experience they had envisioned.

One attendee, Theresa Metta, shared her story with 8NewsNow, expressing her deep disappointment. Traveling to Las Vegas with her mother in hopes of meeting fellow fans and engaging in fun challenges, she found herself instead confined to her hotel room.

“We were told to stay in our rooms and wait for our mystery bags,” she explained. “I legit spent two days waiting for a package to come — and it ended up being a box of chocolates.”

Others echoed the sentiment, describing the event as chaotic and poorly organized. Instead of mini-games, photo ops, or even appearances by MrBeast or his team, fans spent most of their time isolated and waiting, with little to show for their patience.

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MrBeast-Apologizes-Las-Vegas-Experience-Disappoints

“This Isn’t What We Hoped”

As criticism mounted, a wave of videos and social media posts began surfacing, some going viral. TikTok users shared footage of lackluster merchandise deliveries — t-shirts in random sizes, some of which were reportedly available online for a fraction of the ticket cost. Many accused both the resort and MrBeast of “false advertising” and exploiting the trust of loyal fans.

The controversy reached a boiling point on Tuesday when a group of frustrated attendees confronted Resorts World CEO Alex Dixon, demanding refunds and answers for what they called a “scam.”

In response to a fan’s complaint on X (formerly Twitter), Donaldson took accountability for the fiasco, tweeting: “This definitely isn’t the experience we hoped they’d deliver. I’m sorry. I’m inviting everyone affected to our studio to make it right.”

While the gesture was appreciated by some, others remain skeptical, citing logistical issues and travel costs as barriers to accepting the studio invitation.

Damage Control

Following the backlash, the event listing was swiftly removed from the hotel’s website. The BBC reached out to both MrBeast and Resorts World Las Vegas for further comment, but no additional statements have been issued at the time of publishing.

It’s still unclear whether full or partial refunds will be provided to attendees.

For MrBeast, who has built a brand synonymous with generosity and grand-scale production, the failed Vegas event marks a rare stumble. From giving away private islands to funding life-changing surgeries, Donaldson has consistently been one of the most impactful creators in the digital space. This incident, however, serves as a reminder that even the most well-intentioned influencers must ensure that their real-world activations live up to the high standards their audiences have come to expect.

Lessons Learned

The fiasco highlights the challenges that arise when online creators transition into live, in-person experiences — particularly those involving third-party partners like resorts and event organizers. When things go wrong, the fallout can affect not only finances but reputations as well.

For fans, the situation has left a mix of disappointment and hope. Many still admire MrBeast’s transparency and willingness to take responsibility, even if they feel let down by the execution.

As the dust settles, this misstep may serve as a valuable learning experience — not just for MrBeast, but for the growing number of digital creators stepping into the world of live events. Authenticity, attention to detail, and clear communication are paramount, especially when fans are investing not just money, but trust and admiration.

And in a world where brand loyalty can shift in a tweet, even the biggest names are only as strong as their most recent experience.

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Sugababes and Natasha Bedingfield Join BBC Radio 1’s Big Weekend Line-Up

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BBC Radio 1’s Big Weekend just got a major dose of nostalgia and pop power, as iconic girl group Sugababes and singer-songwriter Natasha Bedingfield have officially been added to the festival’s line-up. The announcement was made by Radio 1 Breakfast Show host Greg James, confirming them as Anthems headliners for the event, set to take place in Liverpool’s Sefton Park from 23 to 25 May.

This year’s festival already boasts a stellar line-up with headlining acts including Sam Fender, Mumford & Sons, and Tom Grennan. They’ll be joined by a diverse mix of artists such as Myles Smith, Wet Leg, Blossoms, and Lola Young. With the addition of Sugababes and Bedingfield, the festival’s nostalgic energy and pop credentials have skyrocketed.

Sugababes Bring the Buzz

Sugababes — the original trio of Keisha Buchanan, Mutya Buena, and Siobhan Donaghy — are set to bring their timeless pop hits and renewed energy to the Liverpool stage. Since reforming in 2019, the group has been riding a wave of momentum, with standout performances like their widely praised Glastonbury set last year.

Commenting on the announcement, the group said, “We’re buzzing to be heading to Liverpool. We’ve heard amazing things about the energy and the crowds, so we’re excited to be part of it this year. Expect a lot of love, big tunes, and a show to remember.”

The Sugababes originally rose to fame in the early 2000s with a slew of chart-topping hits like Round Round, Push the Button, and Too Lost in You. Their presence at Big Weekend is likely to draw fans both old and new, especially as they continue their UK tour.

Natasha Bedingfield’s Big Return

Also joining the line-up is Natasha Bedingfield, who is set to perform on Friday. The Unwritten singer expressed her excitement, calling the opportunity “a big deal” and adding, “I can’t wait to jump up on stage and sing my heart out with everyone. Let’s hope some inhibitions get released.”

Her timeless hit Unwritten saw a massive resurgence last year after it featured in the 2023 film Anyone But You and became a viral sensation on TikTok. The popularity of the song led to a surprise appearance during Ella Henderson’s Big Weekend set in 2023. Now, Bedingfield will have her own dedicated slot to connect with fans.

Addressing Representation

The inclusion of Sugababes and Natasha Bedingfield also comes amidst discussions about female representation in music festivals. Some fans had previously raised concerns over the lack of female headliners in the earlier line-up announcements. In response, Radio 1 had reassured audiences that the full roster would be “60% female” and acknowledged there’s still work to be done in terms of broader representation in the music industry.

Radio 1 emphasised its ongoing commitment, stating, “Radio 1 will continue to advocate for this on a wider scale.”

New Anthems Stage

This year marks the introduction of the Anthems headliners, a new concept that builds on the Radio 1 Anthems stream that launched on BBC Sounds last November. These acts are chosen for their nostalgic and crowd-pleasing hits that resonate across generations.

Aled Hayden Jones, head of Radio 1, highlighted the importance of this addition, saying, “These acts are a perfect example of how music brings people together. They’ve soundtracked unforgettable moments for our audience and continue to resonate with listeners today whether they’re rediscovering the songs or discovering them for the first time.”

A Festival for All

More than 100,000 fans are expected to attend this year’s Big Weekend, which will feature approximately 100 acts spread across four stages. With a mix of indie rock, pop, alternative, and throwback favourites, the festival promises something for every kind of music lover.

As always, sets from the event will be broadcast live and on demand through BBC iPlayer and BBC Sounds, allowing fans around the UK and beyond to soak up the festival vibes.

For fans of British pop and festival culture, the addition of Sugababes and Natasha Bedingfield is not just a nod to the past — it’s a celebration of music that continues to connect generations.

Paraphrased Version:

Sugababes and Natasha Bedingfield to Perform at Radio 1’s Big Weekend in Liverpool

BBC Radio 1 has expanded its Big Weekend 2025 lineup with the exciting addition of Sugababes and Natasha Bedingfield. Radio 1’s Breakfast Show host Greg James revealed that the two will headline the Anthems stage during the festival held in Liverpool’s Sefton Park from 23 to 25 May.

Previously announced main acts include Sam Fender, Tom Grennan, and Mumford & Sons, joined by artists like Myles Smith, Wet Leg, Blossoms, and Lola Young. Now, with Sugababes and Bedingfield joining the roster, anticipation for the event is higher than ever.

Sugababes and Natasha Bedingfield Join BBC Radio 1’s Big

Sugababes and Natasha Bedingfield Join BBC Radio 1’s Big

Sugababes Bring Iconic Hits and Energy

The original Sugababes trio—Keisha Buchanan, Mutya Buena, and Siobhan Donaghy—are thrilled to be part of this year’s festivities. Following a successful reunion and a standout Glastonbury performance, they’re ready to win over Liverpool’s crowd. “We’re excited to be part of this year’s Big Weekend,” they shared. “Expect good vibes, classic songs, and a memorable show.”

Known for their early 2000s hits like Push the Button and Round Round, Sugababes have continued to captivate fans since reuniting in 2019.

Natasha Bedingfield Ready for Her Own Spotlight

Singer Natasha Bedingfield will perform on the opening day of the festival. She described the opportunity as a significant one, saying she’s excited to “sing [her] heart out” and connect with the audience. Her hit Unwritten, which gained fresh popularity in 2023 thanks to a film feature and TikTok trends, is likely to be a highlight of her set.

Last year, Bedingfield joined Ella Henderson on stage for a surprise appearance. This time, she’s bringing her own full performance to the stage.

Boosting Female Representation

The new additions come amid conversations around gender representation in festival line-ups. While some fans noted a lack of female headliners initially, Radio 1 responded by stating that the final line-up would be predominantly female and acknowledged the need for broader industry changes.

Radio 1 reaffirmed its commitment to supporting diversity in music and continuing advocacy efforts.

Celebrating Anthems and Crowd Favorites

The Anthems stage is a fresh element introduced this year, tied to the Radio 1 Anthems expansion launched on BBC Sounds. This segment is designed to celebrate tracks that spark nostalgia and joy for listeners of all ages.

Radio 1 head Aled Hayden Jones described the artists as shining examples of how music can connect generations, whether fans are revisiting beloved songs or hearing them anew.

Anticipation Builds

With more than 100,000 attendees expected and around 100 artists performing across four stages, Radio 1’s Big Weekend promises an electric mix of energy, diversity, and chart-topping sounds. All performances will be accessible on BBC iPlayer and BBC Sounds.

Whether you’re a long-time fan of early 2000s pop or discovering these artists for the first time, this year’s Big Weekend is shaping up to be one for the books.

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Lil Nas X Hospitalized with Partial Face Paralysis: What We Know So Far

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Award-winning rapper and pop provocateur Lil Nas X has revealed he is suffering from partial facial paralysis, sparking concern and support across social media.

The 26-year-old artist, born Montero Lamar Hill, posted a series of Instagram updates on Monday from a hospital bed, candidly sharing his current condition with his 10.4 million followers. In the video, he attempts to smile but visibly struggles, explaining: “This is me doing a full smile right now, by the way… Bro, I can’t even laugh right.”

The Grammy-winning star, known for his viral hit Old Town Road and his unapologetically bold public persona, continued to keep the mood light despite the circumstances. In a follow-up post, he reassured fans: “I’m OK, stop being sad. Shake ur ass for me instead!” He later added humorously, “I’mma look funny for a lil bit but that’s it.”

Fans and fellow celebrities quickly flooded the comments with well-wishes and love. Actress Taraji P. Henson wrote, “Get well baby,” while rocker Shirley Manson simply shared, “Sending you love.” Comedian Wanda Sykes offered a grounded take, saying, “Sometimes your body tells you to sit down somewhere. Rest up.”

Though Lil Nas X did not reveal an official diagnosis, fans and health observers have speculated that his symptoms could point to Bell’s Palsy or Ramsay Hunt Syndrome. Both conditions involve inflammation or damage to facial nerves, typically resulting in temporary paralysis or weakness on one side of the face.

Bell’s Palsy is relatively common and often triggered by viral infections or severe stress. In contrast, Ramsay Hunt Syndrome is linked to a shingles outbreak affecting the facial nerve near the ear, sometimes accompanied by hearing loss or tinnitus. Pop star Justin Bieber was forced to postpone parts of his 2022 tour due to Ramsay Hunt Syndrome, sharing similar symptoms including an inability to blink or smile on one side of his face. Bieber has since made a full recovery.

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lil-nas-x-hospitalized-with-partial-face-paralysis

Singer and television personality Tulisa Contostavlos has also publicly spoken about her recurring battles with Bell’s Palsy following a horse-riding accident that caused nerve damage. Her experience underscores the importance of early treatment — she noted that episodes could last up to seven months if not addressed within the critical early window.

Despite the challenges, Lil Nas X has kept his characteristic humor and authenticity intact. In one Instagram clip, he panned the camera dramatically from one side of his face to the other, saying, “We normal over here, we get crazy over here!” The post is already being shared widely, as fans appreciate his openness and resilience.

The news comes amid a promotional push for his latest EP, Days Before Dreamboy, an eight-track teaser for the upcoming follow-up to his debut album Montero. In an earlier interview with Atlanta’s Hot 107.9, Lil Nas X admitted to going through a creative and emotional rollercoaster at the start of 2024.

“I was very lost and trying to cater to everybody except myself,” he confessed, reflecting on the pressure to maintain his provocative image and match the expectations of fans and critics alike.

He admitted that at one point, he began creating music he thought the world wanted, rather than what felt true to him: “I started trying to be outrageous all the time… but it’s like, no, sometimes I can just be on my chill [side].”

That chill side — raw, real, and refreshingly unfiltered — is precisely what’s drawing support now. Even as he faces a health setback, Lil Nas X remains an emblem of vulnerability wrapped in unapologetic confidence.

In another recent interview at the GLAAD Awards, he also made headlines by revealing he had turned down a potential collaboration with Taylor Swift. “She offered to let me try a verse on something, but I couldn’t catch a vibe for it,” he said. The comment sparked a flurry of speculation about what the track might have sounded like, and whether the collaboration might be revisited in the future.

For now, however, the artist’s focus is likely on recovery — and fans across the globe are rallying behind him. Whether through heartfelt messages or memes that reflect his own brand of humor, the sentiment is clear: Lil Nas X is not alone in this.

As he put it best: “I’mma look funny for a lil bit but that’s it.” For someone who’s made a career out of breaking boundaries and reshaping what it means to be a pop star in the modern age, this is just another challenge he’ll face head-on — with grace, grit, and just the right amount of sass.

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Katy Perry’s Journey to the Stars: All-Women Crew to Break New Ground in Space Tourism

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In a historic moment for both pop culture and aerospace, global pop icon Katy Perry is set to trade the concert stage for the stars. Perry, alongside five remarkable women, will be aboard Blue Origin’s New Shepard rocket—a pioneering all-female mission that represents a significant step in the evolution of private space travel.

The launch, set to lift off from Blue Origin’s West Texas base, promises not only a thrilling ride beyond the atmosphere but a powerful symbol of female empowerment in a field long dominated by men. This suborbital journey, expected to last around 11 minutes, will carry the crew more than 100 kilometers above the Earth—crossing the Kármán line, which marks the internationally recognized boundary of space. For a few awe-inspiring moments, the crew will experience the weightlessness of space.

Joining Perry on this celestial voyage are Lauren Sánchez—fiancée of Blue Origin’s founder Jeff Bezos—veteran CBS broadcaster Gayle King, former NASA engineer Aisha Bowe, civil rights advocate Amanda Nguyen, and film producer Kerianne Flynn. Together, they form the first all-women team to travel into space in more than six decades. The last time an all-female space mission took place was in 1963, when Soviet cosmonaut Valentina Tereshkova journeyed solo aboard Vostok 6.

Reflecting on this extraordinary opportunity, Perry shared her excitement on social media, saying that even as a child growing up with limited resources, she always held on to wonder and believed the impossible was within reach. “If someone had told me I’d be part of the first-ever all-female space crew, I would’ve believed them,” she wrote, adding that her imagination has always been limitless.

Blue Origin’s New Shepard rocket is a marvel of modern engineering. Fully autonomous and designed for vertical lift-off and landing, the spacecraft separates mid-flight to allow the capsule to climb higher while the booster safely returns to land roughly two miles from the launch pad. The crew capsule is built to carry six passengers and includes features like large windows for Earth-gazing and a parachute system to ensure a gentle return to the desert floor.

Katy Perry’s Journey to the Stars: All-Women Crew to

Katy Perry’s Journey to the Stars: All-Women Crew to

The women aboard won’t be required to pilot the rocket, as the system runs independently. However, they must undergo two days of intensive training. This includes physical conditioning, emergency preparedness, and acclimation to zero-gravity environments. Additionally, a pair of ground-based support members, known as Crew Member Seven, will offer constant assistance and maintain mission control communication throughout the flight.

Blue Origin, founded by Amazon magnate Jeff Bezos in 2000, is one of the leading players in the burgeoning space tourism sector. While ticket pricing remains partially under wraps, securing a seat on the New Shepard reportedly requires a significant deposit—highlighting how these space ventures remain accessible to only a select few. The company is also working toward creating more sustainable, long-term space infrastructure, including reusable rockets and systems aimed at future lunar landings.

Still, this rise of space tourism hasn’t come without criticism. Many argue that the exclusivity of such missions underscores the vast economic disparity in the world. Actress Olivia Munn voiced her concerns on a recent television appearance, pointing out that many people struggle with basic necessities while others are spending millions to journey into space.

Environmentalists have also expressed alarm over the potential impact of increased rocket launches on the atmosphere. Studies have suggested that the emissions from rockets—particularly the soot released into the upper layers of the atmosphere—could have far-reaching effects on the ozone layer and contribute significantly to global warming. A 2022 study led by Professor Eloise Marais of University College London found that rocket emissions could be substantially more damaging than those from aircraft.

Despite these concerns, many experts continue to advocate for the expansion of human activity beyond Earth. Celebrated physicist Professor Brian Cox emphasised in a recent interview the importance of looking beyond our planet for the future of civilisation, stressing that public-private collaboration in space exploration can be a major catalyst for scientific progress.

Former astronaut Tim Peake has also spoken in defence of space missions, especially those designed to advance scientific understanding and tackle pressing issues like climate change. Speaking at the COP26 summit in Glasgow, he expressed regret that the image of space travel was being increasingly seen as elitist. “I support the use of space for science and the greater good of humanity,” he said, lamenting that private space ventures are often portrayed solely as luxurious escapades for the rich.

As Katy Perry and her fellow crew members prepare to make their journey, this mission is about more than just reaching space—it’s about redefining who gets to dream, explore, and lead. It is a moment that blends celebrity, science, and symbolism into one giant leap for womankind.

Whether you view it as a milestone for innovation or a controversial indulgence, the fact remains: a pop star’s next big performance may just take place among the stars.

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Scarlett Johansson Shines Bright at Cannes—On Screen and Behind the Lens

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Scarlett Johansson has never been one to stay in a single lane. From her days as a breakout teen star to becoming one of Hollywood’s most bankable names and a symbol of artistic depth, Johansson’s career has consistently defied predictability. And now, at the 2025 Cannes Film Festival, she’s raising the bar once again—this time appearing on the iconic Croisette both as a performer and a director.

The Oscar-nominated actress and global superstar is playing a pivotal role in Wes Anderson’s latest cinematic wonder, The Phoenician Scheme, while also stepping behind the camera for the very first time with her directorial debut, Eleanor the Great. In a festival packed with promising films and bold debuts, Johansson is not just participating—she’s taking the spotlight by storm.

A Star Returns—In True Wes Anderson Fashion

Fans of quirky aesthetics and richly woven storytelling have much to celebrate. The Phoenician Scheme, directed by Cannes regular Wes Anderson, is already generating buzz as a strong contender for the Palme d’Or—the festival’s highest honor. Featuring a star-studded ensemble including Benicio Del Toro, Tom Hanks, and Scarlett Johansson, the film is said to be a visually eccentric exploration of identity, espionage, and lost civilizations.

Though Anderson is no stranger to Cannes, having had several of his past works featured and awarded, it’s Johansson’s return to such a stylized cinematic world that’s drawing extra attention. Known for her ability to bring depth and vulnerability to even the most abstract of characters, Johansson is expected to deliver yet another unforgettable performance.

From Red Carpet to Director’s Chair

But Johansson isn’t just gracing the red carpet as an actor this year—she’s making a groundbreaking move as a filmmaker. Her directorial debut, Eleanor the Great, is part of Cannes’ official lineup and is competing in the prestigious second-tier category. The film tells the poignant story of an elderly woman navigating life and loss after the death of her closest friend—a quiet, powerful exploration of grief, reinvention, and the beauty of growing old.

The film represents a bold new chapter in Johansson’s career, signaling her evolution from a Hollywood megastar to a creative force ready to shape stories from the other side of the lens. And while celebrity-turned-directors aren’t new to the scene, Johansson’s reputation for thoughtful role selection and her depth as a performer sets high expectations for this debut.

Cannes Backs Female Voices

The Cannes Film Festival has long faced scrutiny for its lack of representation when it comes to female directors. This year, however, the winds appear to be shifting. Festival president Iris Knobloch emphasized this progress in a press conference, proudly stating that the organization is committed to showcasing more women-led projects.

“I am honoured to amplify the voices of women,” Knobloch noted, as she discussed the diverse lineup that now includes six films from female directors competing for the top prize.

Johansson’s inclusion, both on-screen and as a director, aligns perfectly with this renewed focus. Eleanor the Great isn’t just a film—it’s a statement about maturity, empathy, and the often-ignored stories of older women. That Johansson chose such a script for her debut says much about where her creative instincts lie.

Scarlett Johansson Shines Bright at Cannes—On Screen and

Scarlett Johansson Shines Bright at Cannes—On Screen and

A Festival of Firsts and Legends

Johansson is not the only star adding new titles to their résumé this year. Harris Dickinson, a rising British talent recently cast as John Lennon in Sir Sam Mendes’ upcoming Beatles quadrilogy, is also debuting his first directorial film at Cannes. Urchin, a gritty, emotional tale about a homeless man in London, showcases Dickinson’s desire to tell socially resonant stories.

The festival is also drawing attention with entries from celebrated directors such as Jafar Panahi (A Simple Accident), horror auteur Ari Aster (Eddington, starring Joaquin Phoenix and Emma Stone), and American filmmaker Kelly Reichardt (The Mastermind, featuring Josh O’Connor and John Magaro).

Adding a touch of nostalgia and glamour to the proceedings is the legendary Robert De Niro, who will be honored with an honorary Palme d’Or. Meanwhile, Tom Cruise returns to Cannes with the grand finale of the Mission: Impossible series, adding blockbuster energy to an otherwise auteur-driven lineup.

A Defining Moment

For Scarlett Johansson, Cannes 2025 marks more than just a career milestone—it represents a transformation. She has already conquered the Marvel universe, proven her acting chops with Oscar-nominated turns in films like Marriage Story and Jojo Rabbit, and built a global fan base that spans generations. Now, as she shifts behind the camera, she signals a commitment to storytelling that is personal, reflective, and deeply human.

The dual presence of Johansson at Cannes—first as a star in one of the festival’s most anticipated films and then as a director presenting her vision to the world—reflects a rare kind of creative versatility. And in a year where female storytellers are finally being recognized more widely, her emergence as a filmmaker feels both timely and inspiring.

As the red carpet flashes and the world watches Cannes with eager eyes, one thing is certain—Scarlett Johansson is no longer just a leading lady. She’s a leader in cinema.

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Back to a Galaxy Far, Far Away: BFI to Screen Original 1977 Star Wars Film This Summer

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In what can only be described as a dream come true for cinephiles and Star Wars purists alike, the British Film Institute (BFI) has announced a special screening of the original 1977 theatrical release of Star Wars — the version that started it all — this summer in London. The event is part of the BFI’s Film on Film Festival, running from 12 to 15 June, and marks the first public showing of the untouched original cut in decades.

Long before the franchise became a global empire of sequels, prequels, spin-offs, and streaming dominance, Star Wars (later rebranded Episode IV: A New Hope) exploded into cinemas in 1977 with a revolutionary blend of mythology, futuristic tech, and old-school heroism. But unless you saw it during its original release, chances are you’ve never seen the version that audiences first fell in love with.

A Rare Return of the Original

In today’s digital era, only the modified “Special Editions”—which” George Lucas began releasing in 1997 — are readily available on streaming platforms and Blu-ray. These versions introduced new scenes, reworked visual effects, and controversial narrative changes. Over the years, Lucas continued tweaking the original trilogy, much to the dismay of loyal fans who craved the unfiltered cinematic magic they remembered from their childhoods.

This upcoming screening, however, will be a throwback to the true original — unedited, unenhanced, and gloriously analogue. It’s the cinematic equivalent of unearthing a lost relic: the grainy, filmic texture of the 1977 reel, complete with the original score, practical effects, and narrative beats, untouched by CGI updates or retcons.

As the BFI puts it, this screening is more than nostalgia — it’s preservation. According to James Bell, Senior Curator of Fiction at the BFI National Archive, every print featured in the festival “is a unique object, with its own life story,” offering modern audiences a rare chance to witness the past in its original form

“They put us at touching distance to the past,” Bell said, “and we can’t wait for audiences to experience them all.”

Why It Matters to the Fans

The original Star Wars has been at the centre of decades-long debates over the nature of film preservation versus directorial revisionism. Few scenes represent this better than the infamous showdown between Han Solo and the bounty hunter Greedo.

In the 1977 release, Han famously shoots first — a cold-blooded yet defining moment for his character. The 1997 re-release altered this sequence to suggest Han fired in self-defence, spawning the now-iconic fan mantra, “Han shot first.” Subsequent versions further blurred the moment, showing the two shooting simultaneously, a change that still irks long-time fans.

That moment — and others like it—represents more than just technical tweaks. For many, the original film is a cultural artefact. Its imperfections, rough edges, and practical effects are part of what made it groundbreaking. Seeing it restored to the big screen is an affirmation of its place in cinematic history.

Back to a Galaxy Far, Far Away: Star Wars BFI to Screen Original

Back to a Galaxy Far, Far Away: Star Wars BFI to Screen Original

A Festival of Film as It Was Meant to Be Seen

The BFI’s Film on Film Festival is built on that very idea: to present films as they were first shown, on actual film stock, not digital reproductions. The tactile crackle of the reel, the occasional flicker or scratch — these are not flaws but part of the medium’s charm.

The festival promises a diverse program that includes an original print screening of the Twin Peaks U.S. pilot, presented by series lead Kyle MacLachlan, along with other archival treasures from the BFI’s vault. Bell notes the event is made possible thanks to support from philanthropic donors committed to keeping film heritage alive.

It’s a celebration not only of the stories we love but also of the medium through which we first experienced them.

The Force Lives On

In a time when blockbuster franchises dominate digital platforms and sequels often overshadow their origins, the BFI’s decision to screen the original Star Wars is a bold nod to authenticity. It’s an invitation to return to the roots of modern pop culture — to sit in the dark, watch the crawl begin, and feel the thrill of being transported to a galaxy far, far away as audiences did nearly 50 years ago.

For fans young and old, this isn’t just a film screening. It’s a pilgrimage.

The original 1977 theatrical release of Star Wars will be shown on 12 June at the BFI Southbank and BFI IMAX as part of the Film on Film Festival. Tickets and additional programming details can be found on the BFI website.

Lightsabres not required — but definitely encouraged.

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“Leo, Our Lion”: Gladiators Star Zack George Pays Heartbreaking Tribute to Late Son

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In a deeply emotional tribute that has touched hearts across the nation, Gladiators star Zack George, known to millions as Steel, has announced the devastating loss of his newborn son, Leo. The fitness icon and CrossFit champion, alongside his wife, Samantha, shared the heartbreaking news via Instagram, revealing that Leo was born prematurely at 23 weeks and passed away just days after entering the world.

George, who won the title of the UK’s Fittest Man in 2020 and has since become a household name through the BBC’s reboot of Gladiators, has long used his platform to inspire health, strength, and resilience—particularly among young people. But this week, the athlete shared a new, deeper perspective on what true strength really means.

Your mummy brought you into this world, and your daddy held you as you left,” George wrote in a moving Instagram post. “Leo, you showed us what the true definition of strength is and we are so proud of you. Although you were only with us for a short time, you brought us a lifetime of love.”

The post, accompanied by a tender video of Leo lying peacefully in his father’s arms, struck a chord with fans and followers, who flooded the comments with messages of support and sympathy. Many were especially moved by George’s reflections on strength—not as measured by weights or athletic feats—but in the quiet, soul-deep endurance required to say goodbye to a child.

I now see strength in a different way,” George shared. “People would ask how strong I am, and I’d answer with numbers—my squat, bench press, and personal bests. Now I’d answer very differently. Strength is holding my little precious boy knowing it’s breaking my heart but mending his.”

A Journey of Resilience and Purpose

Zack and Samantha, who also share a two-year-old daughter named Ivy, had been documenting their journey since March, when Samantha went into premature labor. In a post shared shortly before Leo’s birth, the couple spoke of their baby boy’s ongoing fight for life, describing him as “tiny, fragile, and fighting.”

Despite the trauma, the couple remained hopeful, drawing comfort from stories of others who had navigated similar challenges. Samantha posted a poignant image of Leo’s hand resting on her finger, writing, “Thank you everyone for your kind words and premature baby stories. Please keep them coming… they are giving us so much hope for our precious Leo.”

But on Tuesday, they shared that Leo’s fight had come to an end.

Thank you for letting us know that you had had enough of this fight,” George wrote. “We will forever be grateful that we didn’t have to make that decision for you. Leo, our lion, we love you more than you will ever know. Rest easy our little boy.”

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A Legacy of Love and Inspiration

While Leo’s life was heartbreakingly short, his impact has been immeasurable. The George family’s vulnerability and courage in sharing their loss have sparked widespread compassion and reminded the public of the unseen battles many families face.

Tributes poured in from fellow Gladiators cast members and celebrities alike. JLS singer JB Gill wrote, “Heartbreaking, what a little warrior. Thoughts and prayers to you both and your family.” Montell Douglas, who plays Fire on the show, added, “RIP baby Leo. Thoughts and prayers are with you both.”

Beyond the screen, Zack George has long been a passionate advocate for children’s well-being. He co-founded an initiative dedicated to promoting physical and mental health among children aged three to 16, running workshops in schools across the UK.

“It’s a passion of mine to show kids how to eat well, exercise, and have a good mindset,” he told the BBC. “You can see some of the kids who come into the workshops have low confidence… by the end, their chests are up, their backs are straight, and they’re smiling. That makes it worthwhile.”

His commitment to young people, coupled with his own transformation from fast food addiction to fitness fame, has made George a powerful role model. In interviews, he has spoken candidly about his own struggles with weight and poor health in his youth, recounting how he once ate fast food five times a week and felt “rubbish” both mentally and physically.

“Being overweight makes you feel rubbish,” he recalled. “You can’t walk or run far, so you don’t want to exercise, and you often end up finding comfort in fast food.”

A Private Grief Shared with the World

Zack and Samantha’s journey into parenthood was, until recently, filled with joy and dreams for the future. Just seven months before Leo’s birth, the couple celebrated their love with an intimate wedding ceremony. Their family life, already filled with affection for their daughter Ivy, had been eagerly anticipating Leo’s arrival.

But even in the depths of grief, the couple’s message is clear: Leo’s life, however brief, was filled with love, strength, and meaning.

Through their openness, Zack and Samantha have created space for conversation, reflection, and healing—not only for themselves, but for the countless families who have experienced similar heartbreaks.

Leo may have spent only a short time on Earth, but his presence will be remembered in every life his story has touched.

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Royal Resilience: Meghan Markle Reveals “Rare and Scary” Post-Birth Health Battle

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When the Crown Meets Crisis: Meghan’s Candid Confession

In a world where public figures are often expected to maintain grace under pressure, Meghan Markle, Duchess of Sussex, has peeled back the curtain to reveal a deeply personal health scare. Speaking on the premiere episode of her new podcast, Confessions of a Female Founder, Meghan opened up about being diagnosed with postpartum pre-eclampsia following the birth of one of her children, a condition she described as both “rare and scary.”

While she chose not to specify whether the diagnosis followed the birth of Archie or Lilibet, Meghan’s tone carried the weight of someone who had navigated a storm silently while the world’s eyes were fixated on her public image.

“It’s so rare. And it’s so scary,” she said, her voice steady but reflective. “You’re still trying to juggle all these things, and the world doesn’t know what is happening. Quietly, in the background, you’re still trying to show up for others, but mostly for your children.”

A Shared Struggle with a Fellow Founder

Joining Meghan on the podcast’s first episode was Whitney Wolfe Herd, founder of the dating app Bumble. The conversation between the two trailblazing women took a deeply emotional turn when it was revealed that both had experienced the same frightening condition. Herd recalled the moment vividly: “It’s life or death, truly.”

The vulnerability they shared was more than just a medical confession—it was a reminder that even the most seemingly poised and powerful women are not immune to life-altering challenges. As Herd remembered watching Meghan, newly postpartum, stepping out in heels and presenting Archie to the world, her awe was palpable. “I was just becoming a new mum, and I thought, ‘How is this woman doing this?’” she said.

Royal Resilience: Meghan Markle Reveals “Rare and Scary

Royal Resilience: Meghan Markle Reveals “Rare and Scary

What is Post-Partum Pre-Eclampsia?

While most are familiar with pre-eclampsia as a pregnancy-related complication, postpartum pre-eclampsia is lesser-known and just as dangerous. The condition typically emerges after childbirth, manifesting through high blood pressure and, at times, other alarming symptoms like severe headaches, vision disturbances, or swelling.

According to the NHS, if not treated swiftly, it can lead to severe complications for the mother, including seizures or even organ failure. Though many cases are manageable with medical attention, the emotional and physical toll can be significant—especially for new mothers also juggling the demands of infant care.

Behind Palace Doors: The Quiet Moments of Motherhood

In the podcast, Meghan also offered a glimpse into her day-to-day life as a working mother. While the world often associates her with red carpets and royal events, her reality involves preschool pick-ups, toddler naps, and balancing business meetings with child-rearing.

“I don’t leave the house to go to an office—my office is here,” she explained. “If Lilibet wakes up from her nap and wants to find me, she knows exactly where to go. Even if the office door is closed, she’ll be on my lap during a Zoom meeting with a grid full of executives.”

Meghan’s reflections struck a chord with many working parents: the desire to be present for professional commitments yet not miss the irreplaceable moments of early childhood. “I wouldn’t have it any other way,” she said. “I don’t want to miss drop-off. I don’t want to miss the pickup.”

The Evolution of Meghan: From Archetypes to Authenticity

Confessions of a Female Founder, produced in collaboration with Lemonada Media, represents Meghan’s return to the podcasting world following her earlier series Archetypes on Spotify. That venture, though met with mixed reviews, introduced her voice to a new kind of audience. With this new series, she’s leaning into a more vulnerable and entrepreneurial identity.

She’s also expanding her personal brand. From the Netflix lifestyle show With Love, Meghan to the recent launch of her fashion-forward brand As Ever, the Duchess is crafting a business that blends wellness, empowerment, and authentic storytelling.

“This podcast is about candid conversations,” she said. “It’s girl talk, but it’s also about growth—both as a woman and as a founder. Building something meaningful while your child is going through potty training? Both are high-stakes, high-value moments.”

Why Her Voice Matters

Meghan Markle has long been a figure who elicits strong opinions. But with this revelation, she steps into a universal narrative—one that transcends titles, status, and politics. Hers is the story of a mother navigating unseen challenges, of a woman balancing ambition with nurturing, of someone reminding the world that strength and softness can coexist.

By sharing her health battle, she’s not just giving voice to an often-overlooked condition—she’s validating the lived experiences of countless women who endure similar struggles in silence.

And in doing so, Meghan isn’t just redefining what it means to be a duchess—she’s redefining what it means to be human.

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Stars Shine Bright at the 2025 Olivier Awards: Manville, Lithgow, and Others Steal the Spotlight

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It was an evening of standing ovations, heartfelt tributes, and theatrical brilliance as the 2025 Olivier Awards unfolded at the iconic Royal Albert Hall. The glittering ceremony, often dubbed the crown jewel of UK theatre, saw industry veterans and rising stars come together to celebrate a year of outstanding stage productions. Among the night’s most notable winners were Lesley Manville and John Lithgow, both of whom received top honors for their compelling lead performances.

Career Highlights and Emotional Moments

John Lithgow, the distinguished American actor, won Best Actor for his stirring performance as Roald Dahl in the stage production Giant. Lithgow, now 79, called the role one of the most enriching experiences of his career. This marks his first Olivier Award, a milestone that felt particularly special given his decades of acclaimed work. During his acceptance speech, Lithgow acknowledged the challenges and joys of being an American actor embraced by the British theatre community. “For Mary and me, and for all our fellow Americans, I want to say—our special bond remains strong,” he noted warmly, alluding to the historic cultural ties between the US and UK.

Lesley Manville, equally revered in British theatre, was named Best Actress for her searing portrayal in the Greek tragedy Oedipus. This is Manville’s second Olivier, the first having come in 2014 for her role in Ghosts. In her speech, she reflected on the profound impact of the show and praised her creative team, particularly director Robert Icke and co-star Mark Strong. Manville also shared a deeply personal note, dedicating the award to her grandson, who was born during the production’s run. “This trophy will one day be yours, my sweet,” she said, holding back tears.

A Night of Multiple Wins

Three productions emerged as the evening’s top winners: Giant, Fiddler on the Roof, and The Curious Case of Benjamin Button each secured three awards. Giant not only earned Lithgow his first Olivier, but also won Best New Play and saw Elliot Levey honoured as Best Supporting Actor. Levey’s acceptance speech struck a humorous tone as he quipped, “Getting an award for having this much fun should be illegal.”

Romola Garai, who was nominated in the Supporting Actress category for both Giant and The Years, took home the award for the latter. The Years, based on the memoir by Annie Ernaux, also won Best Director for Eline Arbo. Garai described participating in the production as “the greatest privilege of my life,” noting the emotional resonance the story carried for audiences and performers alike.

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Staunton and Dagleish Add to Their Legacies

Imelda Staunton continued her storied career by securing her fifth Olivier Award, winning Best Actress in a Musical for her portrayal in Hello, Dolly!. Her acceptance speech was both touching and humorous as she paid tribute to her late mother, Bridie McNicholas, and looked ahead to an upcoming play she will perform alongside her daughter. “Mum, I’m here at the Albert Hall, I’ve got a prize—and I wish you were here,” she said.

Meanwhile, John Dagleish, known for his breakout role in Sunny Afternoon, returned to the spotlight with a win for Best Actor in a Musical. Dagleish played the titular role in The Curious Case of Benjamin Button, a new adaptation of F. Scott Fitzgerald’s story. The production was also named Best New Musical. Dedicating the award to his late mother, Dagleish reflected on the personal significance of the moment.

A Bit of Ice and a Lot of Heart

One of the night’s most delightful surprises came courtesy of Titanique, a comedic musical tribute to Celine Dion and the Titanic. The production snagged two awards, including Best New Entertainment or Comedy Play and Best Supporting Actor in a Musical for Layton Williams. In a moment of pure theatre magic, Williams joked, “I just won an Olivier for playing an iceberg!” He closed his speech with an inspirational message: “If this can happen to a kid from humble beginnings, it can happen to anyone.”

Tyt Blue, the show’s co-director, recalled the musical’s unlikely origins in a Manhattan grocery store basement before finding a home in London’s Criterion Theatre. The journey from small stages to a prestigious award ceremony was a testament to the creativity and perseverance that define the theatre world.

Honoring Craft and Creativity

Beyond the marquee names, the Olivier Awards also recognized exceptional talent across technical and creative categories. Fiddler on the Roof was awarded Best Musical Revival, while its director Jordan Fein emphasized the show’s themes of “active, courageous love” as especially timely in today’s world. Additional honors went to Festen for Best New Opera Production and Assembly Hall for Best New Dance Production.

Maimuna Memon won Best Supporting Actress in a Musical for her work in Natasha, Pierre & The Great Comet of 1812, while Gabriella Slade received accolades for Costume Design on Starlight Express. Darren Clark and Mark Aspinall were recognized for their musical contributions to Benjamin Button, reinforcing the show’s status as a standout of the season.

A Celebration of Theatrical Excellence

The 2025 Olivier Awards, hosted by Beverley Knight and Billy Porter, featured performances from Les Misérables, MJ The Musical, Starlight Express, and others, bringing the vibrancy of the West End directly to the audience. With a blend of gravitas, glamour, and good-humored gratitude, this year’s ceremony was a fitting tribute to the resilience and brilliance of live theatre.

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Ed Sheeran weaves Persian music into new song, Azizam

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After delivering two introspective, low-profile albums, Ed Sheeran has re-entered the mainstream pop arena with a vibrant and culturally infused single, Azizam. Drawing heavily on Middle Eastern influences, the track signals a shift in tone and style while still retaining the familiar Sheeran charm that has defined his global success.

Azizam, which translates to “my dear” or “my darling” in Farsi, is Sheeran’s latest experiment in musical fusion. Produced in collaboration with Illya Salmanzadeh—a Swedish hitmaker of Iranian descent known for his work with Ariana Grande, Beyoncé, and Taylor Swift—the song is a tribute to Persian culture and instrumentation. Featuring traditional instruments such as the ghatam, a South Indian clay pot drum, and the santur, a hammered dulcimer from Iran, Azizam is steeped in rich musical textures from the East.

Speaking on BBC Radio 1, Sheeran shared how the project began organically. “Now that the song’s out, I’m discovering more and more every day how proud Persians are of their culture. It’s amazing to celebrate that,” he said. The idea for the song came from Salmanzadeh, who proposed incorporating elements from his heritage into their work. The result is a track that remains true to Sheeran’s pop roots while boldly embracing a new sonic identity.

Released during a competitive week in the music industry—with new offerings from Miley Cyrus, Elton John, and Wet Leg—Azizam manages to stand out. Though the song follows Sheeran’s reliable pop blueprint, the Persian influences add a distinctive flavor that may help the track resonate particularly well in the Middle East, currently one of the fastest-growing music markets globally.

This isn’t the first time Sheeran has explored global genres. Known for his versatility and adventurous collaborations, he has worked with Afrobeats artists like Burna Boy and Fireboy DML, sung in Spanish with J Balvin, and even incorporated Irish folk and Punjabi elements into his performances. Sheeran’s willingness to embrace different cultures has kept him relevant and musically fresh.

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The singer described creating Azizam as a deeply enjoyable process. “I had a hell of a lot of fun with it,” he said. “The rhythms, melodies, and instruments were different but reminded me a bit of the Irish traditional music I grew up with.” This cross-cultural resonance speaks to Sheeran’s global mindset, blending musical traditions to craft universally appealing songs.

The debut of Azizam took place in New Orleans, where Sheeran surprised fans with a street performance in the city’s French Quarter. Accompanied by the Soul Rebels brass band, the upbeat performance set the tone for a song that is both playful and celebratory. The recorded version of the track features background vocals from the Citizens of the World Choir, a group comprised of refugees and supporters, adding a layer of global unity to the project.

Early reviews of the song have been generally favorable, though not without criticism. The Guardian gave it three stars, noting that the Persian elements felt somewhat incidental to what was otherwise a standard Sheeran pop track. However, pop critic Alexis Petridis acknowledged the song’s irresistibility, saying it has “a hook that fully digs into your brain the first time you hear it.”

The Telegraph’s Neil McCormick described Azizam as “lighter than candy floss and twice as sticky,” predicting it will become an inescapable pop anthem throughout the coming months. He even dubbed it a future “bubblegum classic.”

Audience reaction, especially from the Persian community, has been enthusiastic. One Iranian listener messaged BBC Radio 2 to express their appreciation: “There are so many Persian music influences in the song, which is amazing to hear.”

The single marks the beginning of a new era for Sheeran. It’s the first track from his upcoming eighth studio album, Play, part of a planned series titled Pause, Rewind, Fast-Forward, and Stop. He also teased the idea of a posthumous album, humorously titled Eject, containing songs he’s written throughout his life.

This new creative phase comes at a pivotal moment in Sheeran’s career. While the 2010s cemented his status as one of the world’s top-selling artists, his recent projects haven’t met past commercial standards. His 2023 album, Subtract, was critically acclaimed but didn’t achieve platinum status in the UK. The follow-up, Autumn Variations, opened at number one but quickly dropped out of the charts and remains uncertified.

Despite these setbacks, Sheeran’s presence in the digital music space is undeniable. On Spotify alone, a dozen of his tracks have surpassed a billion streams. Shape of You remains the second-most streamed song on the platform, amassing over 4.3 billion plays.

With Divide, Sheeran appears ready to reclaim his position at the top of pop music. By blending global influences with his signature sound, he’s not only celebrating diverse cultures but also reinventing himself once more.

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