The Ivor Novello Awards, one of the most prestigious celebrations of songwriting and musical composition in the UK, returned with a star-studded ceremony that honoured the talents and voices shaping the industry today. From Charli XCX’s self-deprecating genius to Bono’s plea for peace, the night was a blend of humility, legacy, and bold artistic vision.
At the centre of the spotlight was Charli XCX, who was crowned Songwriter of the Year, thanks to her groundbreaking sixth studio album, Brat. The record, a sonic cocktail of chaos and emotional vulnerability wrapped in club anthems, redefined Charli’s position in the pop landscape. But in true Charli fashion, she accepted her award with tongue firmly in cheek.
“I’m sure you all agree, I am hardly Bob Dylan,” she joked while quoting her lyrics: “I wanna dance to me, me, me / When I go to the club, club, club.” Her wit and unapologetic artistry have made her a defining voice in modern pop, and her win is a nod to an artist unafraid to blend fun with depth.
Charli’s Brat is more than music it’s a visual and cultural statement, marketed with fierce identity and wrapped in the now-iconic “Brat green” aesthetic. On stage, she emphasised that it’s not just about the song, but the conviction behind it: “A song with a distinct identity coupled with a point of view… and above all, conviction, is what can catapult a songwriter.”
Another iconic moment of the evening was U2 being awarded the Academy Fellowship, the first Irish band to receive this honour. With nearly five decades of cultural and political impact behind them, the band performed an acoustic rendition of Sunday Bloody Sunday, underscoring their continued relevance.

Charli XCX, U2, and a Night of Musical Legacy 2025
Bono’s acceptance speech was both poetic and political: “Songs can be arrows through time… I don’t know if they can change the world, but they changed us.” He also addressed current global conflicts, calling for peace and compassion with statements like, “Hamas, release the hostages. Stop the war. Israel be released from Benjamin Netanyahu.”
Humour also found a place on the stage. Drummer Larry Mullen Jr. recalled a rejection from CBS Records that hinged on firing him “I may have counted to three instead of four, but from where I’m standing now, that makes some of us musical geniuses.”
Meanwhile, Robbie Williams accepted the Music Icon Award, capping a 34-year journey from boy band heartthrob to solo legend. Backstage, Robbie spoke candidly about the cocktail of emotions awards can stir: “It’s self-doubt and self-hatred mixed with ego and delusion and audacity.” Yet, despite the inner chaos, Williams remains one of Britain’s most enduring performers.
Emerging talents were also celebrated. Lola Young, who led with the most nominations, was named Rising Star. The 24-year-old spoke about her early beginnings: “This is such a big moment for the kid in my bedroom that was 10 years old, writing songs on her guitar.” She revealed she had finished her next album and managed to shoot 12 music videos in one day, an extraordinary feat for an artist defining her own path.
Myles Smith’s Stargazing was awarded Most Performed Work, highlighting its ubiquitous presence on UK radio. Smith recounted the first time he heard his song on air while in New York, only to be met with indifference from his Uber driver: “It was the best way to be humbled.”
Orla Gartland’s Mine, a hauntingly intimate ballad about reclaiming bodily autonomy, won Best Song Musically and Lyrically. An independent artist, Orla noted, “I’m not sure what a boardroom of old guys would have known what to do with this song.”
Self Esteem, recipient of the Visionary Award, used her platform to call for change: “People are foaming at the mouth to ridicule you. People hate women.” She also shared a lighter moment, joking to her parents, “I’m so sorry about how much I swear and how many of my songs are about shagging.”
Bloc Party was honoured for their Outstanding Song Collection, while Berwyn’s Who Am I took home Best Album. Sans Soucis’ Circumnavigating Georgia claimed Best Contemporary Song, and Brandon Flowers of The Killers received the Special International Award, presented by none other than Bruce Springsteen himself.
From the young stars scripting tomorrow’s hits to veterans redefining the art form’s legacy, the 2025 Ivor Novello Awards reminded us that behind every great track is a story of grit, rebellion, humour, and heart.