Netflix has assembled an impressive lineup for Running Point, a comedy set in the front office of a high-profile basketball franchise. Starring Kate Hudson, the show boasts a strong ensemble cast, including Drew Tarver, Max Greenfield, Jay Ellis, and Brenda Song. Co-created by Mindy Kaling, Elaine Ko, and Ike Barinholtz, the series blends sports, family dynamics, and workplace comedy.
The premise follows Isla, played by Hudson, the only daughter of a billionaire family that owns the Los Angeles Waves. Despite being a lifelong basketball fan, she has never been taken seriously in the family business—until a scandal forces her into the president’s chair. Suddenly, Isla must navigate a world that has underestimated her, proving she can rebuild a struggling franchise while defying expectations.
The show juggles multiple storylines, from Isla’s attempts to reshape the team’s future to the internal family drama with her brothers—each with their own chaotic personalities. There’s a mix of corporate intrigue, sibling rivalry, and a subtle undercurrent of romance. Isla is engaged to a well-meaning pediatrician (played by Greenfield), but undeniable chemistry sparks between her and the team’s head coach (Ellis).
A major strength of Running Point is its cast. Hudson’s natural charisma makes Isla a compelling lead—sharp, determined, and effortlessly charming. Scott MacArthur delivers laughs as the dim-witted GM, while Chet Hanks surprises as an arrogant but entertaining star player. Fabrizio Guido’s character, a former concession stand worker turned assistant, adds a lighthearted touch.
While Running Point maintains a breezy, fast-paced tone, it sometimes struggles to find a strong comedic rhythm. The jokes are amusing, but rarely laugh-out-loud funny. The show leans more on clever dialogue and character dynamics rather than punchlines, which works in some places but feels lacking in others. The rapid plot movement also prevents deeper emotional moments from fully landing.


Interestingly, the series requires no real basketball knowledge to enjoy. While the setting revolves around the sport, the storytelling focuses more on power struggles, leadership challenges, and personal growth. However, this broader approach makes it feel somewhat generic at times. Isla’s passion for basketball is mentioned but rarely explored in depth, missing an opportunity to add more authenticity.
Despite these minor drawbacks, Running Point is an entertaining watch, bolstered by a talented cast and a fresh perspective on sports management. While it’s not a slam dunk, it’s a solid play for those who enjoy workplace comedies with a mix of drama and heart. Hudson carries the show with ease, making Isla’s journey one worth rooting for.